Don't miss our third edition of Behind the Studio Door, this time with Mark Wilson.
"Welcome. Come into my studio, which is an old garage, and I love it. There’s plenty of natural light and a high ceiling for big canvases. The walls are covered with half finished paintings, pictures, postcards, photos and inspirational things - again, some very old things.
I have children’s art up all around me. It inspires me. Children naturally experiment with colour and pattern without even knowing it. Pick a colour – any colour. They don’t care if purple shouldn’t go next to dark green or whatever. I spent so many years following the colour and design ‘rules’ of my teachers. Never again! They should have six year olds teaching painting at art school. (Image 2) I think that is why I like painting big abstract canvases. There is a freedom of expression and technique that is liberating. No pre-conceived ideas. No visual constraints. Pure self expression, like a child doing finger-painting!..."
Read the full Behind the Studio Door here:
http://eepurl.com/bhm8YX
"Welcome. Come into my studio, which is an old garage, and I love it. There’s plenty of natural light and a high ceiling for big canvases. The walls are covered with half finished paintings, pictures, postcards, photos and inspirational things - again, some very old things.
I have children’s art up all around me. It inspires me. Children naturally experiment with colour and pattern without even knowing it. Pick a colour – any colour. They don’t care if purple shouldn’t go next to dark green or whatever. I spent so many years following the colour and design ‘rules’ of my teachers. Never again! They should have six year olds teaching painting at art school. (Image 2) I think that is why I like painting big abstract canvases. There is a freedom of expression and technique that is liberating. No pre-conceived ideas. No visual constraints. Pure self expression, like a child doing finger-painting!..."
Read the full Behind the Studio Door here:
http://eepurl.com/bhm8YX
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